In life there are many
levels and definitions to what a myth is. To some, a myth is often times a
fictional story that has if not some, absolutely no truth in it at all. Others
would describe myth to be something that makes a truth more understandable,
more relatable. In fact, in supporting that point, Walter Fisher (1984) states
that the “most compelling, persuasive stories are mythic in form, stories… that
give meaning and significance to life” (The
Narrative Paradigm and Related Theories, 1984). In this (secondary) world
we crave meaning and truth, and in a desperate plea to feel fulfilled in this
craving we become content with symbols as a substitute to make sense of the
world we live in. However, when myth, along with a manifestation of a holy
Other, is involved in the secondary world we are able to transcend and see
pieces of reality in the primary world; we are able to live and understand a life
of meaning and significance.
In
the film, Big Fish, a man named Will
Bloom has a frustrating relationship with his dying Father, Edward bloom. The
relationship between the duo is complicated because Will never understands his
father’s imaginative stories and myths and views him as a liar when in reality
his father is simply trying to teach him how to live and love life. Ernesto
Grassi states in his work, Why Rhetoric
is Philosophy that in an imaginative world it is allowed to “not be
rational.” The point Grassi makes is very significant to the elder Bloom’s
lifestyle because in all that he does, more times than not he is irrational.
That irrationality is what leads him to so many opportunities in life and is
what makes him a ‘Big Fish.’ Sometimes in life, going against the current is
the best way to go and that is the influence that Bloom has on his son. I
believe that myth adds color to our lives. A story can have truth in it but a
myth adds color to that truth and makes it all the more enjoyable is listen to
and easier to comprehend.
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